|Produced||:||UK 1932 - 1933|
|Body Type||:||Folding Bed|
|ImageSize||:||2¼ x 3¼ in|
|Lens Type||:||Kodak Anastigmat|
|Focal Range||:||3ft - inf.|
|Aperture||:||f/6.3 - f/32|
|Shutter Speeds||:||T,B,1/25,1/50,1/100 sec|
|Size Closed (w x h x d)||:||80 x 150 x 32 mm|
|Size Open (w x h x d)||:||80 x 150 x 121 mm|
Art Deco Credentials
Iconic: Famous, well-known and celebrated
- Produced during the main Art Deco period.
- Octagonal face plate design with red highlights.
- Ornate chrome struts.
- Angled ends to body.
- Enamelled side panels with nickel lines.
- Raised diamond and octagonal motifs
- Pig-grained leatherette
- Octagonal film winder
- Chrome and black enamel brilliant finder
The Six-20 Kodak was introduced in 1932 but from 1933 it was redesigned to become the Six-20 model C. It is a self-erecting folding camera. It has angled ends to the body which is covered with pig-grained leatherette. It has a brilliant finders that swivels to cater for both portrait and landscape views. It does not have a folding frame finder. It features black enamelled side panels with nickel lines. The shutter plate is octagonal with chrome and black enamel deco pattern as well as bright red highlights. It has a swiveling red window cover. The struts are chrome and ornate unlike the redesigned Model C which are quite plain.
It supported two combinations of lens and shutter. These are a Doublet lens coupled with Kodon shutter or a Kodak Anastigmat f/6.3 with a Kodon shutter.
How to Use
This camera takes 620 film which is still available from selected photographic outlets. Although the actual film is the same as 120 film, the spools are different. The 620 spools are slightly shorter and have a smaller diameter. Do not use 120 film in this camera because it will jam and may snap. It is possible to cut down a spool of 120 film to fit or to re-spool some 120 film onto 620 spools in a darkroom or changing bag.
If you are concerned about the exposure settings for this camera then don't worry. Either use the simple 'Outdoor 8' rule or for the more adventurous, the 'Sunny 16' rule. Film is so forgiving.
The Outdoor Eight rule says when shooting images outside in the middle of the day, if you use ISO 100 speed film, set your aperture to f/8, and your shutter speed to 1/100 (or 1/125), you will get an image that is pretty close to being properly exposed. This statement was taken from a page by Mike Eckman who explains both the 'sunny 16' and 'outdoor eight' rule perfectly